In this film, I examine VHS archives shot in 1996 by my mother and her friend. They were studying with Boris Yukhananov and experimenting extensively with the camera, exploring its tactile properties as an extension of their gaze and body.
In this film, I examine VHS archives shot in 1996 by my mother and her friend. They were studying with Boris Yukhananov and experimenting extensively with the camera, exploring its tactile properties as an extension of their gaze and body.
