5.9
Centered on a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
Cast & crew
Peter HortonDirector
Carl GottliebDirector
John LandisDirector
Arsenio HallApartment Victim (segment "Mondo Condo")%20by%20%E2%80%9ENatalia%20Spivak%E2%80%9D%2C%20licensed%20under%20%E2%80%9ECC%20BY%204.0%E2%80%9D%20(https%3A%2F%2Fcreativecommons.org%2Flicenses%2Fby%2F4.0%2F)%3C%2Fdc%3Arights%3E%3C%2Frdf%3ADescription%3E%3C%2Frdf%3ARDF%3E%3C%2Fmetadata%3E%3Cmask%20id%3D%22viewboxMask%22%3E%3Crect%20width%3D%2280%22%20height%3D%2280%22%20rx%3D%220%22%20ry%3D%220%22%20x%3D%220%22%20y%3D%220%22%20fill%3D%22%23fff%22%20%2F%3E%3C%2Fmask%3E%3Cg%20mask%3D%22url(%23viewboxMask)%22%3E%3Crect%20fill%3D%22%23ffa6e6%22%20width%3D%2280%22%20height%3D%2280%22%20x%3D%220%22%20y%3D%220%22%20%2F%3E%3Cpath%20d%3D%22M19.07%2030.47s1.57-20.23%2021.59-20.23S62.3%2030.55%2062.3%2030.55s9.43-.8%209.43%207.6c0%208.42-9.28%207.13-9.28%207.13S60.9%2067.15%2042.03%2067.15c-21.11%200-23.4-20.8-23.4-20.8s-9%20.72-9.93-6.25c-1.08-8.2%2010.37-9.64%2010.37-9.64%22%20fill%3D%22%23ffd6c0%22%2F%3E%3Cpath%20d%3D%22m64.3%2039.49.46-.41.1-.09c.12-.1-.13.1-.02.02l.24-.17q.5-.35%201.06-.62l.26-.12.05-.02.05-.02.58-.21q.6-.18%201.2-.28c.52-.08.85-.76.7-1.23-.18-.56-.67-.8-1.23-.7a9.3%209.3%200%200%200-4.87%202.43c-.38.36-.4%201.06%200%201.4.4.36%201%20.4%201.4%200zm-51.8-1.16.14.01c-.27-.02-.11-.01-.04%200l.3.05.52.14.28.09.12.05c.02%200%20.22.09.06.02-.14-.1%200-.04.03-.03l.15.06.26.13.47.3.27.22q.47.38.83.83c.33.4%201.07.37%201.41%200%20.4-.43.36-.98%200-1.4a7.3%207.3%200%200%200-4.84-2.53c-.52-.06-1.02.5-1%201%20.03.59.44.94%201%201m18.3-1.9v4.54c0%20.52.46%201.02%201%201s1-.44%201-1V36.4c0-.52-.46-1.02-1-1s-1%20.44-1%201M49.2%2036l-.15%204.81a1%201%200%200%200%201%201c.56-.02.98-.44%201-1l.15-4.8a1%201%200%200%200-1-1%201%201%200%200%200-1%201%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M27.86%2043.79c2.41%209.29%2015.16%2012.28%2022.34%206.67a14%2014%200%200%200%204.7-7.22c.36-1.24-1.57-1.77-1.93-.53-1.24%204.23-4.33%207.39-8.68%208.33-3.77.8-8.03-.1-11.05-2.52a10%2010%200%200%201-3.45-5.26c-.34-1.25-2.27-.72-1.95.53%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M26.74%2018.86s9.68%206.45%2029.03%204.64c0%200-3.58%2042.43%206.9%2042.63s13.77-27.55%205.19-45.05C57.99.92%2021.5-1.3%2012.03%2022.29c-9.47%2023.6-.7%2044.46%205.93%2044.9%2012.3.8%208.78-48.33%208.78-48.33%22%20fill%3D%22%231d5dff%22%2F%3E%3C%2Fg%3E%3C%2Fsvg%3E)
Donald F. MuhichEasterbrook (segment "Pethouse Video")
Monique GabrielleTaryn Steele (segment "Pethouse Video")
Lou JacobiMurray (segment "Murray in Videoland")
Erica YohnSelma (segment "Murray in Videoland")%20by%20%E2%80%9ENatalia%20Spivak%E2%80%9D%2C%20licensed%20under%20%E2%80%9ECC%20BY%204.0%E2%80%9D%20(https%3A%2F%2Fcreativecommons.org%2Flicenses%2Fby%2F4.0%2F)%3C%2Fdc%3Arights%3E%3C%2Frdf%3ADescription%3E%3C%2Frdf%3ARDF%3E%3C%2Fmetadata%3E%3Cmask%20id%3D%22viewboxMask%22%3E%3Crect%20width%3D%2280%22%20height%3D%2280%22%20rx%3D%220%22%20ry%3D%220%22%20x%3D%220%22%20y%3D%220%22%20fill%3D%22%23fff%22%20%2F%3E%3C%2Fmask%3E%3Cg%20mask%3D%22url(%23viewboxMask)%22%3E%3Crect%20fill%3D%22%2329e051%22%20width%3D%2280%22%20height%3D%2280%22%20x%3D%220%22%20y%3D%220%22%20%2F%3E%3Cpath%20d%3D%22M19.07%2030.47s1.57-20.23%2021.59-20.23S62.3%2030.55%2062.3%2030.55s9.43-.8%209.43%207.6c0%208.42-9.28%207.13-9.28%207.13S60.9%2067.15%2042.03%2067.15c-21.11%200-23.4-20.8-23.4-20.8s-9%20.72-9.93-6.25c-1.08-8.2%2010.37-9.64%2010.37-9.64%22%20fill%3D%22%23c26450%22%2F%3E%3Cpath%20d%3D%22m64.3%2039.49.46-.41.1-.09c.12-.1-.13.1-.02.02l.24-.17q.5-.35%201.06-.62l.26-.12.05-.02.05-.02.58-.21q.6-.18%201.2-.28c.52-.08.85-.76.7-1.23-.18-.56-.67-.8-1.23-.7a9.3%209.3%200%200%200-4.87%202.43c-.38.36-.4%201.06%200%201.4.4.36%201%20.4%201.4%200zm-51.8-1.16.14.01c-.27-.02-.11-.01-.04%200l.3.05.52.14.28.09.12.05c.02%200%20.22.09.06.02-.14-.1%200-.04.03-.03l.15.06.26.13.47.3.27.22q.47.38.83.83c.33.4%201.07.37%201.41%200%20.4-.43.36-.98%200-1.4a7.3%207.3%200%200%200-4.84-2.53c-.52-.06-1.02.5-1%201%20.03.59.44.94%201%201m18.3-1.9v4.54c0%20.52.46%201.02%201%201s1-.44%201-1V36.4c0-.52-.46-1.02-1-1s-1%20.44-1%201M49.2%2036l-.15%204.81a1%201%200%200%200%201%201c.56-.02.98-.44%201-1l.15-4.8a1%201%200%200%200-1-1%201%201%200%200%200-1%201%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M27.86%2043.79c2.41%209.29%2015.16%2012.28%2022.34%206.67a14%2014%200%200%200%204.7-7.22c.36-1.24-1.57-1.77-1.93-.53-1.24%204.23-4.33%207.39-8.68%208.33-3.77.8-8.03-.1-11.05-2.52a10%2010%200%200%201-3.45-5.26c-.34-1.25-2.27-.72-1.95.53%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M26.74%2018.86s9.68%206.45%2029.03%204.64c0%200-3.58%2042.43%206.9%2042.63s13.77-27.55%205.19-45.05C57.99.92%2021.5-1.3%2012.03%2022.29c-9.47%2023.6-.7%2044.46%205.93%2044.9%2012.3.8%208.78-48.33%208.78-48.33%22%20fill%3D%22%23fff500%22%2F%3E%3C%2Fg%3E%3C%2Fsvg%3E)
Debbi A. DavisonWeather Person (segment "Murray in Videoland")%20by%20%E2%80%9ENatalia%20Spivak%E2%80%9D%2C%20licensed%20under%20%E2%80%9ECC%20BY%204.0%E2%80%9D%20(https%3A%2F%2Fcreativecommons.org%2Flicenses%2Fby%2F4.0%2F)%3C%2Fdc%3Arights%3E%3C%2Frdf%3ADescription%3E%3C%2Frdf%3ARDF%3E%3C%2Fmetadata%3E%3Cmask%20id%3D%22viewboxMask%22%3E%3Crect%20width%3D%2280%22%20height%3D%2280%22%20rx%3D%220%22%20ry%3D%220%22%20x%3D%220%22%20y%3D%220%22%20fill%3D%22%23fff%22%20%2F%3E%3C%2Fmask%3E%3Cg%20mask%3D%22url(%23viewboxMask)%22%3E%3Crect%20fill%3D%22%23ffa6e6%22%20width%3D%2280%22%20height%3D%2280%22%20x%3D%220%22%20y%3D%220%22%20%2F%3E%3Cpath%20d%3D%22M19.07%2030.47s1.57-20.23%2021.59-20.23S62.3%2030.55%2062.3%2030.55s9.43-.8%209.43%207.6c0%208.42-9.28%207.13-9.28%207.13S60.9%2067.15%2042.03%2067.15c-21.11%200-23.4-20.8-23.4-20.8s-9%20.72-9.93-6.25c-1.08-8.2%2010.37-9.64%2010.37-9.64%22%20fill%3D%22%23c26450%22%2F%3E%3Cpath%20d%3D%22m64.3%2039.49.46-.41.1-.09c.12-.1-.13.1-.02.02l.24-.17q.5-.35%201.06-.62l.26-.12.05-.02.05-.02.58-.21q.6-.18%201.2-.28c.52-.08.85-.76.7-1.23-.18-.56-.67-.8-1.23-.7a9.3%209.3%200%200%200-4.87%202.43c-.38.36-.4%201.06%200%201.4.4.36%201%20.4%201.4%200zm-51.8-1.16.14.01c-.27-.02-.11-.01-.04%200l.3.05.52.14.28.09.12.05c.02%200%20.22.09.06.02-.14-.1%200-.04.03-.03l.15.06.26.13.47.3.27.22q.47.38.83.83c.33.4%201.07.37%201.41%200%20.4-.43.36-.98%200-1.4a7.3%207.3%200%200%200-4.84-2.53c-.52-.06-1.02.5-1%201%20.03.59.44.94%201%201m18.3-1.9v4.54c0%20.52.46%201.02%201%201s1-.44%201-1V36.4c0-.52-.46-1.02-1-1s-1%20.44-1%201M49.2%2036l-.15%204.81a1%201%200%200%200%201%201c.56-.02.98-.44%201-1l.15-4.8a1%201%200%200%200-1-1%201%201%200%200%200-1%201%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M32.92%2049.45c1.24-2.82%204.75-4.07%207.63-4.27%203.08-.2%206.1.67%208.56%202.52%201.03.77%202.03-.96%201-1.73a14.5%2014.5%200%200%200-10.1-2.75c-3.36.36-7.37%201.9-8.82%205.21-.5%201.17%201.2%202.2%201.73%201zm15.8-19.37q.15-.33.36-.6l-.16.2q.25-.34.58-.6l-.2.17q.33-.25.71-.41l-.24.1q.37-.15.75-.21l-.27.04s.1%200%20.15-.02q.4-.02.7-.3a1%201%200%200%200%20.3-.7c-.01-.25-.1-.53-.3-.71s-.44-.32-.7-.3a4.1%204.1%200%200%200-3.42%202.3c-.1.27-.18.5-.1.79.06.23.24.48.46.6q.36.2.77.1c.23-.08.5-.23.6-.46zM31.65%2028.9l.18.03-.27-.04q.57.08%201.09.3l-.24-.1q.53.22.98.57l-.2-.16q.34.27.63.59c.16.2.47.29.7.29s.55-.1.72-.29c.4-.42.37-.99%200-1.41q-.65-.73-1.52-1.2a6%206%200%200%200-2.07-.59%201%201%200%200%200-1%201c0%20.25.1.53.3.71q.3.27.7.29z%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M18.49%2030.45s.13%203.91%201.44%203.8c1.3-.1%203.05-12.59%203.05-12.59s18.07%204.66%2033.19-.65c0%200%201.72%2013.2%203.34%2013.07%201.38-.12%202.4-3.57%202.4-3.57%200%20.02%204.47-8.58-.62-17.85-7.93-14.45-29.74-11.22-35.44-.21%200%200-5.9-.94-8.3%206.35-2.38%207.29.94%2011.67.94%2011.67%22%20fill%3D%22%23000000%22%2F%3E%3C%2Fg%3E%3C%2Fsvg%3E)
Rob KrauszFloor Manager (segment "Murray in Videoland")
Phil HartmanBaseball Announcer (segment "Murray in Videoland")
