Daniel Kremer

William Wyler: Forty Takes Willy

8.0• 2025

Dead Neon: The Many Faces of Lenny Bruce on Film

8.0• 2023

Ezer Kenegdo

4.5• 2017

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

10.0• 2025

A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget

2026

Now, Irving Rapper

2026

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

2024

Jack of Three Trades: In Focus on Nicholson the Director

2024

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

2023

Survival Scars: Franklin J. Schaffner as Auteur

2023

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

2023

Clear Lines of Sight: Sidney J. Furie at Paramount

2023

Elective Vicissitudes: The Radical Exiles of Jules Dassin

2023

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

2022

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

2022

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

2022

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures

2022

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

2022

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

2022

Arid Cut

2019

The Fourth Movement

2017

The Wind Blows Where It Wishes

2011

Ben Fries the Slaves

2007

David Cronenberg Presents Wireless Internet

2006

Danny and the Scatman

1999

Even Just

Terms and Conditions Apply: The Cinema of Robert Ellis Miller

Never the Same Step Twice: The Later Films of Stanley Donen