The myths of the sixties are satirized in 20 episodes.
Cast & crew
Dino RisiDirector
Ugo TognazziThe Father (segment "L'Educazione sentimentale") / Policeman (segment "Il Mostro") / Stefano (segment "Come un Padre") / Battacchi (segment "Il povero Soldato") / L'Onorevole (segment "La Giornata dell'Onorevole") / Dark Latin Lover (segment "Latin Lovers-Amanti latini") / Pilade Fioravanti (segment "Testimone volontario") / The Traffic Warden (segment "L'Agguato") / The Car Buyer (segment "Vernissage") / Spectator at the Cinema (segment "Scenda l'Oblio") / The Husband (segment "L'Oppio dei Popoli") / Guarnacci (segment "La nobile Arte")
Vittorio GassmanThe Actor (segment "La Raccomandazione") / Policeman (segment "Il Mostro") / Production Assistant & Movie Director (segment "Presa dalla Vita") / Nicola (segment "Che Vitaccia!") / Blonde Latin Lover (segment "Latin Lovers-Amanti latini") / Defence Layer D'Amore (segment "Testimone volontario") / Richetto (segment "I due Orfanelli") / Roberto (segment "Il Sacrificato") / Elisa (segment "La Musa") / The Road Hog (segment "La Strada è di Tutti") / The Friar (segment "Il Testamento di Francesco") / Artemio Altidori (segment "La nobile Arte")
Lando BuzzancaLuchino (segment "Come un padre")
Marisa MerliniPaola Fioravanti (segment "Testimone volontario")
Rika DialynaGiuliana (segment "Il Sacrificato")
Michèle MercierThe Wife (segment "L'Oppio dei Popoli")
Marino MaséThe Lover (segment "L'Oppio dei Popoli")%20by%20%E2%80%9ENatalia%20Spivak%E2%80%9D%2C%20licensed%20under%20%E2%80%9ECC%20BY%204.0%E2%80%9D%20(https%3A%2F%2Fcreativecommons.org%2Flicenses%2Fby%2F4.0%2F)%3C%2Fdc%3Arights%3E%3C%2Frdf%3ADescription%3E%3C%2Frdf%3ARDF%3E%3C%2Fmetadata%3E%3Cmask%20id%3D%22viewboxMask%22%3E%3Crect%20width%3D%2280%22%20height%3D%2280%22%20rx%3D%220%22%20ry%3D%220%22%20x%3D%220%22%20y%3D%220%22%20fill%3D%22%23fff%22%20%2F%3E%3C%2Fmask%3E%3Cg%20mask%3D%22url(%23viewboxMask)%22%3E%3Crect%20fill%3D%22%23619eff%22%20width%3D%2280%22%20height%3D%2280%22%20x%3D%220%22%20y%3D%220%22%20%2F%3E%3Cpath%20d%3D%22M19.07%2030.47s1.57-20.23%2021.59-20.23S62.3%2030.55%2062.3%2030.55s9.43-.8%209.43%207.6c0%208.42-9.28%207.13-9.28%207.13S60.9%2067.15%2042.03%2067.15c-21.11%200-23.4-20.8-23.4-20.8s-9%20.72-9.93-6.25c-1.08-8.2%2010.37-9.64%2010.37-9.64%22%20fill%3D%22%23ffd6c0%22%2F%3E%3Cpath%20d%3D%22m64.3%2039.49.46-.41.1-.09c.12-.1-.13.1-.02.02l.24-.17q.5-.35%201.06-.62l.26-.12.05-.02.05-.02.58-.21q.6-.18%201.2-.28c.52-.08.85-.76.7-1.23-.18-.56-.67-.8-1.23-.7a9.3%209.3%200%200%200-4.87%202.43c-.38.36-.4%201.06%200%201.4.4.36%201%20.4%201.4%200zm-51.8-1.16.14.01c-.27-.02-.11-.01-.04%200l.3.05.52.14.28.09.12.05c.02%200%20.22.09.06.02-.14-.1%200-.04.03-.03l.15.06.26.13.47.3.27.22q.47.38.83.83c.33.4%201.07.37%201.41%200%20.4-.43.36-.98%200-1.4a7.3%207.3%200%200%200-4.84-2.53c-.52-.06-1.02.5-1%201%20.03.59.44.94%201%201m18.3-1.9v4.54c0%20.52.46%201.02%201%201s1-.44%201-1V36.4c0-.52-.46-1.02-1-1s-1%20.44-1%201M49.2%2036l-.15%204.81a1%201%200%200%200%201%201c.56-.02.98-.44%201-1l.15-4.8a1%201%200%200%200-1-1%201%201%200%200%200-1%201%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M27.86%2043.79c2.41%209.29%2015.16%2012.28%2022.34%206.67a14%2014%200%200%200%204.7-7.22c.36-1.24-1.57-1.77-1.93-.53-1.24%204.23-4.33%207.39-8.68%208.33-3.77.8-8.03-.1-11.05-2.52a10%2010%200%200%201-3.45-5.26c-.34-1.25-2.27-.72-1.95.53%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M19.51%2030.42c16.36-4.9%2020.13-15.57%2020.13-15.57S51.18%2029.46%2060.6%2030.5c0-.01.85-.03%202.57.15%200%200-3.22-21.28-23.36-20.56S18.19%2030.61%2018.19%2030.61l1.32-.2z%22%20fill%3D%22%231d5dff%22%2F%3E%3C%2Fg%3E%3C%2Fsvg%3E)
Franco CastellaniGiulio Francusi (segment "La Raccomandazione")
