The Wind Rose
Joris Ivens, Yannick Bellon, Sergei Gerasimov, Gillo Pontecorvo, Alberto Cavalcanti, Alex Viany
6.0
An international anthology about the struggles of female workers around the world.
Cast & crew
Joris IvensDirector
Yannick BellonDirector
Sergei GerasimovDirector
Yves MontandYves (archive footage)
Simone SignoretJeanine (archive footage)
Vanja OricoAna (Brazilian Segment) (archive footage)
Marlene FrançaRetirante (Brazilian Segment) (archive footage)
Aracy CardosoRetirante grávida (Brazilian Segment) (archive footage)
Aurélio TeixeiraMotorista (Brazilian Segment) (archive footage)%20by%20%E2%80%9ENatalia%20Spivak%E2%80%9D%2C%20licensed%20under%20%E2%80%9ECC%20BY%204.0%E2%80%9D%20(https%3A%2F%2Fcreativecommons.org%2Flicenses%2Fby%2F4.0%2F)%3C%2Fdc%3Arights%3E%3C%2Frdf%3ADescription%3E%3C%2Frdf%3ARDF%3E%3C%2Fmetadata%3E%3Cmask%20id%3D%22viewboxMask%22%3E%3Crect%20width%3D%2280%22%20height%3D%2280%22%20rx%3D%220%22%20ry%3D%220%22%20x%3D%220%22%20y%3D%220%22%20fill%3D%22%23fff%22%20%2F%3E%3C%2Fmask%3E%3Cg%20mask%3D%22url(%23viewboxMask)%22%3E%3Crect%20fill%3D%22%23ffa6e6%22%20width%3D%2280%22%20height%3D%2280%22%20x%3D%220%22%20y%3D%220%22%20%2F%3E%3Cpath%20d%3D%22M19.07%2030.47s1.57-20.23%2021.59-20.23S62.3%2030.55%2062.3%2030.55s9.43-.8%209.43%207.6c0%208.42-9.28%207.13-9.28%207.13S60.9%2067.15%2042.03%2067.15c-21.11%200-23.4-20.8-23.4-20.8s-9%20.72-9.93-6.25c-1.08-8.2%2010.37-9.64%2010.37-9.64%22%20fill%3D%22%23c26450%22%2F%3E%3Cpath%20d%3D%22m64.3%2039.49.46-.41.1-.09c.12-.1-.13.1-.02.02l.24-.17q.5-.35%201.06-.62l.26-.12.05-.02.05-.02.58-.21q.6-.18%201.2-.28c.52-.08.85-.76.7-1.23-.18-.56-.67-.8-1.23-.7a9.3%209.3%200%200%200-4.87%202.43c-.38.36-.4%201.06%200%201.4.4.36%201%20.4%201.4%200zm-51.8-1.16.14.01c-.27-.02-.11-.01-.04%200l.3.05.52.14.28.09.12.05c.02%200%20.22.09.06.02-.14-.1%200-.04.03-.03l.15.06.26.13.47.3.27.22q.47.38.83.83c.33.4%201.07.37%201.41%200%20.4-.43.36-.98%200-1.4a7.3%207.3%200%200%200-4.84-2.53c-.52-.06-1.02.5-1%201%20.03.59.44.94%201%201m18.3-1.9v4.54c0%20.52.46%201.02%201%201s1-.44%201-1V36.4c0-.52-.46-1.02-1-1s-1%20.44-1%201M49.2%2036l-.15%204.81a1%201%200%200%200%201%201c.56-.02.98-.44%201-1l.15-4.8a1%201%200%200%200-1-1%201%201%200%200%200-1%201%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M27.86%2043.79c2.41%209.29%2015.16%2012.28%2022.34%206.67a14%2014%200%200%200%204.7-7.22c.36-1.24-1.57-1.77-1.93-.53-1.24%204.23-4.33%207.39-8.68%208.33-3.77.8-8.03-.1-11.05-2.52a10%2010%200%200%201-3.45-5.26c-.34-1.25-2.27-.72-1.95.53%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22m23.63%2027.26%2032.94-.95%201.16%2032.12%2013.57-.19s10.17-16.35-3.2-37.07C53.77-1.04%2016.07%207.11%209.3%2028.77c-6.11%2019.5%201.92%2030.04%201.92%2030.04l13.76.19-1.36-31.75z%22%20fill%3D%22%23000000%22%2F%3E%3C%2Fg%3E%3C%2Fsvg%3E)
Miguel TorresOperário (Brazilian Segment) (archive footage)%20by%20%E2%80%9ENatalia%20Spivak%E2%80%9D%2C%20licensed%20under%20%E2%80%9ECC%20BY%204.0%E2%80%9D%20(https%3A%2F%2Fcreativecommons.org%2Flicenses%2Fby%2F4.0%2F)%3C%2Fdc%3Arights%3E%3C%2Frdf%3ADescription%3E%3C%2Frdf%3ARDF%3E%3C%2Fmetadata%3E%3Cmask%20id%3D%22viewboxMask%22%3E%3Crect%20width%3D%2280%22%20height%3D%2280%22%20rx%3D%220%22%20ry%3D%220%22%20x%3D%220%22%20y%3D%220%22%20fill%3D%22%23fff%22%20%2F%3E%3C%2Fmask%3E%3Cg%20mask%3D%22url(%23viewboxMask)%22%3E%3Crect%20fill%3D%22%23619eff%22%20width%3D%2280%22%20height%3D%2280%22%20x%3D%220%22%20y%3D%220%22%20%2F%3E%3Cpath%20d%3D%22M19.07%2030.47s1.57-20.23%2021.59-20.23S62.3%2030.55%2062.3%2030.55s9.43-.8%209.43%207.6c0%208.42-9.28%207.13-9.28%207.13S60.9%2067.15%2042.03%2067.15c-21.11%200-23.4-20.8-23.4-20.8s-9%20.72-9.93-6.25c-1.08-8.2%2010.37-9.64%2010.37-9.64%22%20fill%3D%22%23c26450%22%2F%3E%3Cpath%20d%3D%22m64.3%2039.49.46-.41.1-.09c.12-.1-.13.1-.02.02l.24-.17q.5-.35%201.06-.62l.26-.12.05-.02.05-.02.58-.21q.6-.18%201.2-.28c.52-.08.85-.76.7-1.23-.18-.56-.67-.8-1.23-.7a9.3%209.3%200%200%200-4.87%202.43c-.38.36-.4%201.06%200%201.4.4.36%201%20.4%201.4%200zm-51.8-1.16.14.01c-.27-.02-.11-.01-.04%200l.3.05.52.14.28.09.12.05c.02%200%20.22.09.06.02-.14-.1%200-.04.03-.03l.15.06.26.13.47.3.27.22q.47.38.83.83c.33.4%201.07.37%201.41%200%20.4-.43.36-.98%200-1.4a7.3%207.3%200%200%200-4.84-2.53c-.52-.06-1.02.5-1%201%20.03.59.44.94%201%201m18.3-1.9v4.54c0%20.52.46%201.02%201%201s1-.44%201-1V36.4c0-.52-.46-1.02-1-1s-1%20.44-1%201M49.2%2036l-.15%204.81a1%201%200%200%200%201%201c.56-.02.98-.44%201-1l.15-4.8a1%201%200%200%200-1-1%201%201%200%200%200-1%201%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M30.5%2032.66q.36-.4.77-.76l.09-.08.04-.03c-.12.09%200%200%20.02%200l.12-.1.45-.3.44-.25.24-.12.14-.06c.03-.01.16-.07.02%200l.05-.02.1-.04.26-.1.55-.15c.5-.12.86-.73.7-1.23s-.7-.83-1.23-.7a8%208%200%200%200-4.17%202.52c-.34.4-.42%201.03%200%201.4.38.36%201.05.43%201.41%200m18.4-1.87q.9.15%201.8.43l.4.15.25.09.06.02-.06-.03c.02.04.19.08.23.1l.17.08.46.23c.46.25%201.1.13%201.37-.36.26-.5.13-1.1-.36-1.37a12%2012%200%200%200-3.8-1.3c-.28-.03-.52-.04-.77.1a1%201%200%200%200-.46.6c-.1.49.15%201.15.7%201.24zM36.4%2047.12a17%2017%200%200%201%2011.35-.1c1.22.4%201.74-1.52.53-1.94a18.8%2018.8%200%200%200-12.4.1c-.5.19-.86.69-.7%201.24.12.49.71.88%201.22.7%22%20fill%3D%22black%22%2F%3E%3Cpath%20d%3D%22M26.74%2018.86s9.68%206.45%2029.03%204.64c0%200-3.58%2042.43%206.9%2042.63s13.77-27.55%205.19-45.05C57.99.92%2021.5-1.3%2012.03%2022.29c-9.47%2023.6-.7%2044.46%205.93%2044.9%2012.3.8%208.78-48.33%208.78-48.33%22%20fill%3D%22%231d5dff%22%2F%3E%3C%2Fg%3E%3C%2Fsvg%3E)
Valdo CésarCapataz (Brazilian Segment) (archive footage)
